![]() Human enterprises - art, language, history, law, and republic - are ephemeral / illusory endeavors that attempt to reflect, parallel, and challenge the ascendency of nature to no avail. For the artist, the conclusion is unavoidable. Through varied media (including painting, sculpture, installation, performance, photography, film and writing), Sternberg positions the aspirations of humankind against the dominant and regenerative forces of the environment and the arbitration of time. His practice contemplates humanity’s existential quandary: that of being hopelessly destructive, yet forever and inevitably linked with nature. Stern and Stiles continue their collaborations on-chain (as well as their individual practices), while also working towards their large-scale, IRL exhibition, MOTHER COMPUTER: Thinking with Natural and Artificial Intelligences.Ĭole Sternberg is a conceptual artist who lives and works in Los Angeles. The poem “Still Moving” is by Stiles and Technelegy. Her hybrid practice considers what it means to be human in a nearly posthuman era, and she frequently writes in collaboration with Technelegy, an AI-powered large language model fine-tuned on her own poetry and reference materials. Sasha Stiles is an award-winning metapoet, language artist, and AI researcher working at the intersection of text and technology. His work across the fields of art and publishing, research and industry, more generally frames and amplifies who and how we “are,” then asks how we “could be,” in more productive and impactful ways. Nathaniel Stern is an artist, writer, teacher, and father, a full Professor of Art, Engineering, and Entrepreneurship, Executive Director of the Autism Brilliance Lab for Entrepreneurship (ABLE), and co-founder of the climate action startup, Eco Labs. ![]() The duo are originally from Los Angeles and currently based in Berlin. ![]() They’ve spoken and appeared in BBC Click, Bloomberg ART+TECHNOLOGY, Christie’s Art+Tech Summit, SCAD Museum of Art, MIT Open Doc Lab, Ars Electronica, Art Basel, CADAF, MoCDA, Universität für angewandte Kunst (Vienna), Francisco Carolinum and ZKM. Operator has been awarded The Lumen Prize (Immersive Environments), ADC Award (Gold Cube), S+T+ARTS Prize (Honorary Mention), and MediaFutures (a European Commission funded programme). In fall 2021 the duo began a translation of themes from their Lumen Prize-winning work "I’d rather be in a dark silence than" into the Privacy Collection, a durational release of works exploring the tension between privacy and transparency in blockchain technology. Ti’s background as an immersive artist and human-computer Interaction technologist, and Catherine’s as a choreographer and performance artist make for a uniquely medium non-allegiant output, bringing together environments, technology and the body. Referred to as ‘the two critical contemporary voices on digital art’s international stages’ (Clot Magazine) and ‘LGBT power couple’ (Flaunt), their expertises collide in large scale conceptual works recognizable for their nuanced integration of technology. Ania Catherine and Dejha Ti are an award-winning experiential artist duo who founded their collaborative art practice, known as Operator, in 2016.
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